Canadian Adaptations of Shakespeare Project
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Madness

Good Lord, what madness rules in brainsick men,
When for so slight and frivolous a cause
Such factious emulations shall arise! (King Henry VI, Part I, 4.1)

We have built this image-cluster around adaptations of Shakespeare that employ shifting ideas of "madness" in terms of insanity, folly, rage, and hilarity, and the infinite possible combinations of these. "Madness" is itself a richly expressive and widely used word and thematic in Shakespearean theatre with a wide range of resonances.

Here are a few examples of the various types of madness found in Rick Miller's MacHomer, Michael O'Brien's Mad Boy Chronicle, Madd Harold’s The Tempest: Forecast Disorder and Edward Folger’s The Soul of Wit.. In MacHomer, Miller blends the paranoia and hallucinations of Macbeth brought on by the murders of Duncan, Banquo and Macduff's family, with the comic, hysterical stupidity of Homer Simpson, from the popular television show. Michael O'Brien bases Mad Boy Chronicle on Shakespeare's source for Hamlet, the thirteenth-century history by Saxo Grammaticus, Gesta Danorum. The result is a violent, cruel, and crazy revenge tragedy set in Viking Denmark. In Madd Harold’s adaptation of The Tempest, all of the characters are either inmates or doctors in a 19th century style insane asylum. The setting throws the entire play into question; when Prospero claims to be the Duke of Milan or Caliban asserts “this island’s mine,” we are left to wonder which worlds are real and who is sane. In The Soul of Wit, Edward Folger uses mental illness and a psychiatric institution to further examine the characterization of Hamlet, Ophelia and Polonius. Repetitive and garbled speeches of Shakespeare, and careful camera angles and edits draw the viewer into “uncomfortable experience of what it’s like to be schizophrenic”.

The contrasts between Miller's parodic voicing of madness, O'Brien's tragic vision, Harold’s dark and playful approach to madness and Folger’s realistic and interpretative concept of mental illness outline the continuum of adaptive possibilities inherent in Shakespeare.

 

MacHomer (1995), Rick Miller

Rick Miller
Rick Miller as MacHomer

Donut
Rick Miller with Donut

Rick Miller
 MacHomer sees the ghost of Banquo

Link to Online Anthology
Link to Database

Link to Interview with Rick Miller
Link to Streaming Audio
Link to Streaming Vidio

MacHomer.com


Mad Boy Chronicle (1995), Michael O'Brien

Shaun Smyth as the Mad Boy
"No, I said a head of lettuce."
Gale Garnet as Gerutha

MacKay, Ellen. "The Spectre of Straight Shakespeare." Canadian Theatre Review 111 (Summer 2002): 10-14.

Link to Database


The Tempest:  Forecast Disorder (2001), Madd Harold

Tempest: Forecast Disorder
Tempest: Forecast Disorder
The Lords: Paul Castonguay, Alan Heillig, Paul Rogic, Lowell Gasoi
Photo courtesy Gravy Bath Productions
Tempest: Forecast Disorder
A range of Madness: Mike Huges as Trinculo, Yann Bernaquez as Stephano and Nicolas Wright as Francisco
Photo courtesy Gravy Bath Productions
Tempest: Forecast Disorder
Tony Palermo as Ariel, Mike Huges as Trinculo, Nicolas Wright as Francisco, Yann Bernaquez as Stephano, Danyel Lee as Miranda, Richard Orlando as Prospero and Gareth Potter as Ferdinand.
Photo courtesy Gravy Bath Productions

Link to database
Link to Review


The Soul of Wit (2007), Edward Folger

Dr. Polon- Polonius.
Dr. Polon- Polonius.

 

Where is the beauteous majesty of denmark
Where is the beauteous majesty of denmark

 

The Soul of Wit
The Soul of Wit video still

 

Ed Folger explaing shot to Ray Besharah
Ed Folger explaing shot to Ray Besharah

 

Link to video The Soul of Wit

Link to Interview with Edward Folger

Link to The Soul of Wit in CASP's Anthology

Link to The Soul of Wit shooting script & actors' notes

Link to Mad Ramblings about the Genesis and Evolution of The Soul of Wit by Edward Folger

Link to Project Description by Edward Folger

 


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Fischlin, Daniel. Canadian Adaptations of Shakespeare Project. University of Guelph. 2004.

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