Interviews
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| Vinetta Strombergs |
Welcome to the online interview section of the CASP website. Here
you will find exclusive interviews done by project research associates
with living playwrights and theatre practitioners on their work in
productions that have a Shakespearean component.
Visitors to the site may be surprised at the range of debate over what
constitutes Shakespearean adaptation and by the diversity of views
on how and why Shakespeare has been adapted in differing theatrical
practices throughout Canada. We have sought to interview people from
across a broad spectrum of theatrical experiences and to identify what
their work has to say about adaptation in a Canadian context inflected
by Shakespearean resonances.
Included here are PDF transcripts of the interviews themselves, edited
for readability, as well as, where available, audiovisual clips of
relevant portions of the interviews. The complete interview tapes are
available in the CASP archives.
You will require Adobe Acrobat Reader to read these documents; visit the Adobe website to download the reader for free.
To view the video clips you will require Windows Media Player, which can be downloaded for free at Microsoft.com.
Video Interviews Conducted by CASP:
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| Lewis Baumander | Peter Cockett |
Lewis Baumander Video Interview
Chris Beard interviewed Lewis Baumander at the Lakeshore Campus of Humber College on January 12, 2007, about the 1995 production of Hamlet that he directed starring Keanu Reeves at the Manitoba Theatre Centre. Please visit the CASP page, "To Thine Own Self Be Excellent," by Beard for more information about Reeves's Hamlet.
In January 2006, CASP researcher, Mat Buntin, sat down with Peter Cockett to talk about his adaptation of Henry V perfomed at McMaster University in 2005. This unique adaptation focused on the influence of Shakespeare and his language on modern media and its relation to war. By integrating huge amounts of audio and visual multimedia into the show, as well as using five different actors to play Henry V, Cockett was able to address a wide range of issues from identity, to race, class, and language––not to mention how these play into the construction of discourses of war. For more detailed production information please visit the database entry for Peter Cockett's Henry V.
Jean-Louis Roux Video Interview
In August 2005, Jean-Louis Roux and Douglas Campbell appeared for a limited run of Places Gentlemen, Please: Shakespeare, Molière, Love and Laughter as part of the Stratford Festival. After a matinee performance on August 5, 2005, Professor Ann Wilson (School of English and Theatre Studies, University of Guelph) chatted with Jean-Louis Roux in a conversation that began with Roux's introduction to Shakespeare at the school run by Jesuits which he attended, and included a discussion of Shakespeare in Quebec, and particularly, productions of Shakespeare at the Théâtre du Noveau Monde which he helped to found in 1951. Additionally, Roux chatted about francophone actors from Quebec performing at Stratford for several seasons during the 1950s.
Interviews Conducted by CASP (Text):
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| Margaret Clarke |
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| Djanet Sears |
- Anthony Del Col and Conor McCreery (Kill Shakespeare)
- Jane Baldwin
- Rod Carley
- Margaret Clarke
- Chris Coculuzzi
- Tibor Egervari
- Scott Florence
- Edward Folger
- Warren Graves
- Matthew MacFadzean and Cameron MacDuffee
- Rick Miller
- Daniel David Moses
- Yvette Nolan: Shakedown Shakespeare
- Yvette Nolan: The Death of a Chief
- Reynald Robinson
- Richard Rose
- Djanet Sears
- Peter Skagen
- Vinetta Strombergs
- Judith Thompson
Interviews Not Conducted by CASP:
In a 2007 interview with Jian Gomeshi, on the CBC radio program Q, prominent First Nations actor, Graham Greene, discusses his role of Shylock in the Stratford Festival's production of the Merchant of Venice. This controversial role, which has become a stigma of racial discourse prompts Greene to discuss aboriginality, racism and how this Shakespeare role holds poignant connections regarding aboriginal relations in Canada.
Jane Baldwin conducted an exclusive interview with Gabriel Charpentier for CASP in December 2005. In this extensive conversation Baldwin and Charpentier discuss music and colour, French and English Canadian theatre, and the creative and cultural influences on his work.
Kate
Lynch Interview
Mirrlees, Tanner. "Kate Lynch's All-Woman Dream."
Canadian Theatre Review 111 (Summer 2002): 50-59.
James
Reaney Interview
Anthony, Geraldine, ed. "James Reaney." Stage Voices: Twelve Canadian Playwrights
Talk About Their Lives and Work. Toronto: Doubleday
Canada, 1978: 139-64. Please note that this book is no longer in print. CASP did not conduct this interview with Reaney, but since it contains
valuable information on Shakespeare in Canada we have decided to include
it on the website.
Disclaimer: This site has been designed with only non-commercial,
academic uses in mind. Although every effort has been made to secure
permission for materials uploaded on the CASP site, in some circumstances
we have been unable to locate copyright holders. Links may be made to
our site but under no conditions are the texts and images to be copied
and mounted onto another site server. Researchers using the site should
accredit it following standard MLA guidelines on how to do so. Correct
citation of information from the site is as follows:
Fischlin, Daniel. Canadian Adaptations of Shakespeare Project.
University of Guelph. 2004.
<http://www.canadianshakespeares.ca>.










